March 18, 1934
December 12, 2020
Charley Pride’s hit-making heydays lasted from 1966 through the 1980s, but his impact is still being felt. A 2020 recipient of the Country Music Association’s Willie Nelson Lifetime Achievement Award, Pride is an inspiration to generations of performers, a model of quiet dignity and artful fortitude.
Raised in the segregated South as the son of a sharecropper, Charley Frank Pride was born on a forty-acre cotton farm in Sledge, Mississippi, fifty miles south of Memphis. He spent his childhood laboring in fields, playing baseball, and listening to the Grand Ole Opry on a Philco radio. Pride’s father was a big fan of the Grand Ole Opry, and Pride was musically schooled on the likes of Ernest Tubb, Pee Wee King, Hank Williams, and Roy Acuff. Pride bought his first guitar when he was fourteen and began developing a style of singing that would come to impress his heroes.
“What came from my throat was my voice, no one else’s,” he wrote in his autobiography. “No one had ever told me that whites were supposed to sing one kind of music and blacks another — I sang what I liked in the only voice I had.”
At sixteen, Pride left Mississippi to play baseball in the Negro American League. He was enamored of Jackie Robinson, who broke Major League Baseball’s color barrier in 1947.
“To say that he was my idol would be an understatement,” Pride said. “As far as I was concerned, Jackie Robinson had rewritten the future.”
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RCA’s New Star
Pride never realized his Major League Baseball dreams, but he rewrote country music’s future. His gifts as a singer were greater than his athletic prowess. In 1962, country stars Red Sovine and Red Foley heard Pride singing in Helena, Montana, and encouraged him to come to Nashville. A year later, Pride auditioned in Nashville for manager Jack Johnson, and Johnson was astounded.
Johnson introduced Pride to renegade producer Cowboy Jack Clement. On August 16, 1965, Clement took Pride to RCA’s Nashville studio and recorded demonstration recordings that impressed RCA Records Nashville chief Chet Atkins, who flew to Los Angeles and received approval from the label brass to sign Pride to the label (only revealing Pride’s race after the deal was agreed upon).
Pride’s first single, “Snakes Crawl at Night,” was released in January 1966. RCA kept Pride’s race secret from country radio disc jockeys until the third single, “Just Between You and Me,” climbed into the country Top Ten. Seeing the cover of his gold-selling first album, Country Charley Pride, was the first time many fans discovered that he was Black.
“I get a lot of questions asked me . . . ‘Charley, how’d you get into country music and why you don’t sound like you’re supposed to sound?’” Pride said during a 1968 concert at Panther Hall in Fort Worth, Texas. “It’s a little unique, I admit. But I’ve been singing country music since I was about five years old. This is why I sound like I sound.”
Pride responded to discrimination with square-jawed silence, determined that talent would overcome prejudice. His work spoke volumes. He was the CMA’s Entertainer of the Year in 1971, and he scored twenty-nine #1 country hits, including enduring classics “Is Anybody Goin’ to San Antone,” “Kiss an Angel Good Mornin’”, “All I Have to Offer You (Is Me),” “Someone Loves You Honey,” and “Mountain of Love.” He was named the CMA’s top male vocalist in 1971 and 1972, and was one of RCA’s top-selling artists for decades.
Beginning in 1969, Pride made his home in North Dallas, Texas, becoming an important real estate and banking investor in that community and a part-owner of the Texas Rangers baseball team. He owned a booking agency and management company, Chardon, which helped introduce Janie Fricke, Dave & Sugar, and Neal McCoy to stardom. Pride was also a partner in the Pi-Gem music publishing company with producer Tom Collins, while he continued to record hit after hit and tour regularly to packed venues.
Pride was inducted into the Grand Ole Opry in 1993, seven years before his induction into the Country Music Hall of Fame.
At the Country Music Hall of Fame and Museum’s donation ceremony for Jack Clement’s guitar in 2018, Pride recalled what Cowboy Jack Clement said about his early recordings. “‘Charley, these songs we’re recording right now, fifty years from now they’re gonna be spinnin’ ‘em.”
It has been more than fifty years, and those songs are still spinning.
–Peter Cooper and Bob Millard
Adapted from the Country Music Hall of Fame® and Museum’s Encyclopedia of Country Music, published by Oxford University Press.
“It’s a little unique, I admit. But I’ve been singing country music since I was about five years old. This is why I sound like I sound.”
– Charley Pride