The Country Music Hall of Fame and Museum’s annual exhibition American Currents: State of the Music offers a broad look at country music and its place in American culture over the past year. The latest installment, open now through February 2025, features music and moments from cozy clubs to arena rafters.

An American Masterwork: Thomas Hart Benton’s “Sources of Country Music” at 50 explores Benton’s process in creating his final painting, which was commissioned by the Museum in 1973. The exhibit includes sketches, drawings, lithographs, photographs, and a three-dimensional model of the painting, along with a 1975 video of Benton speaking about the mural.

Patty Loveless: No Trouble with the Truth explores the influential career and enduring music of Patty Loveless. From staking out a distinctive place in country music beginning in the 1980s to her talent for finding memorable material and her embrace of traditional influences, this exhibit illustrates Loveless’s role in the genre through personal and career artifacts, photos, interviews, and more.

Eric Church: Country Heart, Restless Soul, presented by Gibson, is now open. This new exhibit traces Church’s life and career—from his North Carolina roots and experience as a Nashville songwriter to his place as one of country music’s revered rule breakers.

Western Edge examines the close-knit communities of Los Angeles-based singers, songwriters and musicians who, from the 1960s through the 1980s, embraced country music, frequented local nightclubs, and created and shaped the musical fusion known as “country-rock” – ultimately making an indelible and lasting impact on popular music.

he Country Music Hall of Fame and Museum’s core, permanent exhibition tells the story of country music from its pre-commercial roots in the nineteenth century through its vibrant life today. This exciting, multi-layered experience includes artifacts, photographs, original recordings, archival video, newly produced films, touchscreen interactive media, and beautifully rendered text panels.